
IZMIR CINEMAS WILL REVIVE
Film industry has been addressed at the “Revive Cinema in Izmir Again!” themed panel that took place on Thursday, December ...
Course Name |
Media and Ethics
|
Code
|
Semester
|
Theory
(hour/week) |
Application/Lab
(hour/week) |
Local Credits
|
ECTS
|
RTV 224
|
Fall/Spring
|
2
|
0
|
2
|
3
|
Prerequisites |
None
|
|||||
Course Language |
Turkish
|
|||||
Course Type |
Service Course
|
|||||
Course Level |
-
|
|||||
Mode of Delivery | - | |||||
Teaching Methods and Techniques of the Course | DiscussionLecture / Presentation | |||||
National Occupation Classification | - | |||||
Course Coordinator | - | |||||
Course Lecturer(s) | ||||||
Assistant(s) | - |
Course Objectives | The aim of this course is to inform students about the basic ethical approach, to provide a comprehensive approach of ethical principles of traditional and new media and to discuss problems relating to ethics. |
Learning Outcomes |
The students who succeeded in this course;
|
Course Description | The content of this course examines the concept of the ethical principles of professional ethics and approach, evaluates ethical issues in the media within the framework of current events. |
Related Sustainable Development Goals |
|
|
Core Courses | |
Major Area Courses | ||
Supportive Courses | ||
Media and Management Skills Courses | ||
Transferable Skill Courses |
Week | Subjects | Related Preparation |
1 | Introduction | Uzun, Ruhdan, İletişim Etiği : Sorunlar ve Sorumluluklar. Ankara : Dipnot Yayınları, 3. Baskı, 2016. ISBN: 978-975-9051-70-9 Page: 20- 36. |
2 | Basic concepts and approaches to ethics | Uzun, Ruhdan, İletişim Etiği : Sorunlar ve Sorumluluklar. Ankara : Dipnot Yayınları, 3. Baskı, 2016. ISBN: 978-975-9051-70-9 Page: 36-77. |
3 | Historical Foundations of Ethics in the Media | Uzun, Ruhdan, İletişim Etiği : Sorunlar ve Sorumluluklar. Ankara : Dipnot Yayınları, 3. Baskı, 2016. ISBN: 978-975-9051-70-9 Page: 77-111. |
4 | Developments related to the Press Ethics in Turkey | Uzun, Ruhdan, İletişim Etiği : Sorunlar ve Sorumluluklar. Ankara : Dipnot Yayınları, 3. Baskı, 2016. ISBN: 978-975-9051-70-9 Page: 111-193. |
5 | Media ownership and control | Uzun, Ruhdan, İletişim Etiği : Sorunlar ve Sorumluluklar. Ankara : Dipnot Yayınları, 3. Baskı, 2016. ISBN: 978-975-9051-70-9 Page: 193-229. |
6 | Fundamental ethical issues in the media: private space, public space | Uzun, Ruhdan, İletişim Etiği : Sorunlar ve Sorumluluklar. Ankara : Dipnot Yayınları, 3. Baskı, 2016. ISBN: 978-975-9051-70-9 Page: 229-274. |
7 | Media and the question of ownership | Uzun, Ruhdan, İletişim Etiği : Sorunlar ve Sorumluluklar. Ankara : Dipnot Yayınları, 3. Baskı, 2016. ISBN: 978-975-9051-70-9 Page: 274-299. |
8 | Midterm Exam | |
9 | Media and Children | Uzun, Ruhdan, İletişim Etiği : Sorunlar ve Sorumluluklar. Ankara : Dipnot Yayınları, 3. Baskı, 2016. ISBN: 978-975-9051-70-9 Page: 299-310. |
10 | Media and Women | Uzun, Ruhdan, İletişim Etiği : Sorunlar ve Sorumluluklar. Ankara : Dipnot Yayınları, 3. Baskı, 2016. ISBN: 978-975-9051-70-9 Page: 310-313. |
11 | Media and Violence | Uzun, Ruhdan, İletişim Etiği : Sorunlar ve Sorumluluklar. Ankara : Dipnot Yayınları, 3. Baskı, 2016. ISBN: 978-975-9051-70-9 Page: 310-313. |
12 | New Media and Ethical Issues | Uzun, Ruhdan, İletişim Etiği : Sorunlar ve Sorumluluklar. Ankara : Dipnot Yayınları, 3. Baskı, 2016. ISBN: 978-975-9051-70-9 Page: 313-323. |
13 | Self-control, professional ethics | Uzun, Ruhdan, İletişim Etiği : Sorunlar ve Sorumluluklar. Ankara : Dipnot Yayınları, 3. Baskı, 2016. ISBN: 978-975-9051-70-9 Page: 323-343. |
14 | Self-control, professional ethics | Uzun, Ruhdan, İletişim Etiği : Sorunlar ve Sorumluluklar. Ankara : Dipnot Yayınları, 3. Baskı, 2016. ISBN: 978-975-9051-70-9 Page: 343-363. |
15 | Review of the semester | |
16 | Final exam |
Course Notes/Textbooks | |
Suggested Readings/Materials |
Semester Activities | Number | Weigthing |
Participation |
1
|
10
|
Laboratory / Application | ||
Field Work | ||
Quizzes / Studio Critiques | ||
Portfolio | ||
Homework / Assignments |
1
|
20
|
Presentation / Jury | ||
Project | ||
Seminar / Workshop | ||
Oral Exams | ||
Midterm |
1
|
30
|
Final Exam |
1
|
40
|
Total |
Weighting of Semester Activities on the Final Grade |
3
|
60
|
Weighting of End-of-Semester Activities on the Final Grade |
1
|
40
|
Total |
Semester Activities | Number | Duration (Hours) | Workload |
---|---|---|---|
Theoretical Course Hours (Including exam week: 16 x total hours) |
16
|
2
|
32
|
Laboratory / Application Hours (Including exam week: '.16.' x total hours) |
16
|
0
|
|
Study Hours Out of Class |
16
|
2
|
32
|
Field Work |
0
|
||
Quizzes / Studio Critiques |
0
|
||
Portfolio |
0
|
||
Homework / Assignments |
10
|
0
|
|
Presentation / Jury |
0
|
||
Project |
0
|
||
Seminar / Workshop |
0
|
||
Oral Exam |
0
|
||
Midterms |
1
|
17
|
17
|
Final Exam |
1
|
25
|
25
|
Total |
106
|
#
|
Program Competencies/Outcomes |
* Contribution Level
|
|||||
1
|
2
|
3
|
4
|
5
|
|||
1 |
To be able to define the historical development process, fundamental principles, and theories of Radio and Television Programming, and explain the basic principles of audio-visual storytelling. |
-
|
-
|
-
|
-
|
-
|
|
2 |
To be able to utilize technical equipment and software requiring expertise in the field of Radio and Television Programming according to contemporary techniques. |
-
|
-
|
-
|
-
|
-
|
|
3 |
To be able to describe the pre-production research of an audio-visual work, scriptwriting, production planning, camera usage, sound recording, lighting setup, and post-production editing design at a fundamental level and apply at least one of them at an advanced level. |
-
|
-
|
-
|
-
|
-
|
|
4 |
To be able to apply standard video shooting and sound recording indoors and outdoors within the scope of a production in teamwork. |
-
|
-
|
-
|
-
|
-
|
|
5 |
To be able to explain the national and universal values, professional and ethical principles, and legal regulations required in radio-television broadcasting. |
-
|
-
|
-
|
-
|
-
|
|
6 |
To be able to evaluate audio-visual outputs based on technical and methodological criticism. |
-
|
-
|
-
|
-
|
-
|
|
7 |
To be able to generate creative and critical approaches and projects suitable for the broadcasting platform and selected media, taking responsibility in individual or teamwork. |
-
|
-
|
-
|
-
|
-
|
|
8 |
To be able to consider occupational safety principles while working in media, production, and press-broadcasting fields. |
-
|
-
|
-
|
-
|
-
|
|
9 |
To be able to apply the knowledge gained in classes within the scope of an internship in relevant job fields. |
-
|
-
|
-
|
-
|
-
|
|
10 |
To be able to follow the information in the field and communicate with colleagues by using English at the general level of European Language Portfolio A2. |
-
|
-
|
-
|
-
|
-
|
|
11 |
To be able to possess interdisciplinary knowledge in artistic, cultural, and social issues related to communication fields and programs. |
-
|
-
|
-
|
-
|
-
|
|
12 |
To be able to direct their learning towards an advanced educational level by keeping track of technological changes and innovations, considering a lifelong learning vision. |
-
|
-
|
-
|
-
|
-
|
|
13 |
To be able to analyze the universal and social dimensions and legal consequences of their professional work in the field concerning human rights, cultural diversity, environmental issues, public interest, and public service. |
-
|
-
|
-
|
-
|
-
|
*1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest
Film industry has been addressed at the “Revive Cinema in Izmir Again!” themed panel that took place on Thursday, December ...
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