 
                    IZMIR CINEMAS WILL REVIVE
Film industry has been addressed at the “Revive Cinema in Izmir Again!” themed panel that took place on Thursday, December ...
| Course Name | 
                                        Genres and Formats in TV                                     | 
| 
                                        Code
                                     | 
                                         Semester
                                     | 
                                          Theory (hour/week) | 
                                            Application/Lab (hour/week) | 
                                        Local Credits
                                     | ECTS | 
| RTV 218 | Fall/Spring                                     | 3 | 0 | 3 | 3 | 
| Prerequisites | 
                                            None                                         | |||||
| Course Language | Turkish | |||||
| Course Type | Service Course | |||||
| Course Level | 
                                        Short Cycle                                     | |||||
| Mode of Delivery | - | |||||
| Teaching Methods and Techniques of the Course | Practical demonstrationLecture / Presentation | |||||
| National Occupation Classification | - | |||||
| Course Coordinator | - | |||||
| Course Lecturer(s) | ||||||
| Assistant(s) | - | |||||
| Course Objectives | Explaning television and different program formats in the context of history, industry and economy | 
| Learning Outcomes | The students who succeeded in this course; 
 | 
| Course Description | Genres and formats concepts, basic and legal information on creating format. | 
| Related Sustainable Development Goals |  | 
| 
                                             | Core Courses | |
| Major Area Courses | ||
| Supportive Courses | ||
| Media and Management Skills Courses | ||
| Transferable Skill Courses | 
| Week | Subjects | Related Preparation | 
| 1 | "Genre" concept (from the etymological origin up to the meaning of the TV area) | Mutlu, Erol, Televizyonu Anlamak, Ankara: Gündoğan Yayınları, 1991. ISBN: 975-520-017-7. Page: 31-77. | 
| 2 | "Format" concept | Budak Leyla, Erdoğan, İlker, Anglo- Amerikan Eğlence Endüstrisinde Televizyon Program Formatları, İstanbul: Kalkedon, 2016. ISBN: 978-605-4979-73-8. Page: 18-35. | 
| 3 | TV Genres | Budak Leyla, Erdoğan, İlker, Anglo- Amerikan Eğlence Endüstrisinde Televizyon Program Formatları, İstanbul: Kalkedon, 2016. ISBN: 978-605-4979-73-8. Page: 18-35. | 
| 4 | Explanation of the major genres | Tekinalp, Şermin, Camera Obscura’dan Synopticon’a Radyo ve Televizyon, İstanbul : Der Yayınları, 2003. ISBN: 975-353-303-9 Sayfa: 118- 122. Page: 322- 345. | 
| 5 | Explanation of the major genres | Tekinalp, Şermin, Camera Obscura’dan Synopticon’a Radyo ve Televizyon, İstanbul : Der Yayınları, 2003. ISBN: 975-353-303-9 Page: 118- 122. Sayfa: 322- 345. Kaptan, Şebnem, Radyo ve Televizyonda Program Yapalım, Nasıl Mı? Ankara : Sobil, 2008, ISBN: 978-9944-271-11-0. Page: 55-68. | 
| 6 | Structure and Functioning of the Radio and Television Broadcasting | Kaptan, Şebnem, Radyo ve Televizyonda Program Yapalım, Nasıl Mı? Ankara : Sobil, 2008, ISBN: 978-9944-271-11-0. Page: 62-88. | 
| 7 | Formats of the main genres - differences | Budak Leyla, Erdoğan, İlker, Anglo- Amerikan Eğlence Endüstrisinde Televizyon Program Formatları, İstanbul: Kalkedon, 2016. ISBN: 978-605-4979-73-8. Page: 35-153. | 
| 8 | Midterm exam | |
| 9 | Formats of the main genres - differences | Budak Leyla, Erdoğan, İlker, Anglo- Amerikan Eğlence Endüstrisinde Televizyon Program Formatları, İstanbul: Kalkedon, 2016. ISBN: 978-605-4979-73-8. Page: 35-153. | 
| 10 | Formats of the main genres - differences | Kaptan, Şebnem, Radyo ve Televizyonda Program Yapalım, Nasıl Mı? Ankara : Sobil, 2008, ISBN: 978-9944-271-11-0. Page: 88- 141. Budak Leyla, Erdoğan, İlker, Anglo- Amerikan Eğlence Endüstrisinde Televizyon Program Formatları, İstanbul: Kalkedon, 2016. ISBN: 978-605-4979-73-8. Page: 159-170. | 
| 11 | Program Texts and Features | Kaptan, Şebnem, Radyo ve Televizyonda Program Yapalım, Nasıl Mı? Ankara : Sobil, 2008, ISBN: 978-9944-271-11-0. Page: 88- 141. Budak Leyla, Erdoğan, İlker, Anglo- Amerikan Eğlence Endüstrisinde Televizyon Program Formatları, İstanbul: Kalkedon, 2016. ISBN: 978-605-4979-73-8. Page: 159-170. | 
| 12 | Text Writing | Kaptan, Şebnem, Radyo ve Televizyonda Program Yapalım, Nasıl Mı? Ankara : Sobil, 2008, ISBN: 978-9944-271-11-0. Page: 103- 141. | 
| 13 | Creating format | Budak Leyla, Erdoğan, İlker, Anglo- Amerikan Eğlence Endüstrisinde Televizyon Program Formatları, İstanbul: Kalkedon, 2016. ISBN: 978-605-4979-73-8. Page: 159-179. | 
| 14 | Creating format | Budak Leyla, Erdoğan, İlker, Anglo- Amerikan Eğlence Endüstrisinde Televizyon Program Formatları, İstanbul: Kalkedon, 2016. ISBN: 978-605-4979-73-8. Page: 159-179. | 
| 15 | Review of the semester | |
| 16 | Final exam | 
| Course Notes/Textbooks | |
| Suggested Readings/Materials | 
| Semester Activities | Number | Weigthing | 
| Participation | 1 | 10 | 
| Laboratory / Application | ||
| Field Work | ||
| Quizzes / Studio Critiques | ||
| Portfolio | ||
| Homework / Assignments | ||
| Presentation / Jury | 1 | 20 | 
| Project | ||
| Seminar / Workshop | ||
| Oral Exams | ||
| Midterm | 1 | 30 | 
| Final Exam | 1 | 40 | 
| Total | 
| Weighting of Semester Activities on the Final Grade | ||
| Weighting of End-of-Semester Activities on the Final Grade | ||
| Total | 
| Semester Activities | Number | Duration (Hours) | Workload | 
|---|---|---|---|
| Theoretical Course Hours (Including exam week: 16 x total hours) | 16 | 3 | 48 | 
| Laboratory / Application Hours (Including exam week: '.16.' x total hours) | 16 | 0 | |
| Study Hours Out of Class | 1 | 10 | 10 | 
| Field Work | 0 | ||
| Quizzes / Studio Critiques | 0 | ||
| Portfolio | 0 | ||
| Homework / Assignments | 0 | ||
| Presentation / Jury | 1 | 10 | 10 | 
| Project | 1 | 20 | 20 | 
| Seminar / Workshop | 0 | ||
| Oral Exam | 0 | ||
| Midterms | 1 | 30 | 30 | 
| Final Exam | 1 | 0 | |
| Total | 118  | 
|  # | Program Competencies/Outcomes | 
                                            * Contribution Level
                                         | |||||
| 1 | 2 | 3 | 4 | 5 | |||
| 1 | To be able to define the historical development process, fundamental principles, and theories of Radio and Television Programming, and explain the basic principles of audio-visual storytelling. | 
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| 2 | To be able to utilize technical equipment and software requiring expertise in the field of Radio and Television Programming according to contemporary techniques. | 
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| 3 | To be able to describe the pre-production research of an audio-visual work, scriptwriting, production planning, camera usage, sound recording, lighting setup, and post-production editing design at a fundamental level and apply at least one of them at an advanced level. | 
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| 4 | To be able to apply standard video shooting and sound recording indoors and outdoors within the scope of a production in teamwork. | 
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| 5 | To be able to explain the national and universal values, professional and ethical principles, and legal regulations required in radio-television broadcasting. | 
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| 6 | To be able to evaluate audio-visual outputs based on technical and methodological criticism. | 
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| 7 | To be able to generate creative and critical approaches and projects suitable for the broadcasting platform and selected media, taking responsibility in individual or teamwork. | 
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| 8 | To be able to consider occupational safety principles while working in media, production, and press-broadcasting fields. | 
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| 9 | To be able to apply the knowledge gained in classes within the scope of an internship in relevant job fields. | 
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| 10 | To be able to follow the information in the field and communicate with colleagues by using English at the general level of European Language Portfolio A2. | 
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| 11 | To be able to possess interdisciplinary knowledge in artistic, cultural, and social issues related to communication fields and programs. | 
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| 12 | To be able to direct their learning towards an advanced educational level by keeping track of technological changes and innovations, considering a lifelong learning vision. | 
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| 13 | To be able to analyze the universal and social dimensions and legal consequences of their professional work in the field concerning human rights, cultural diversity, environmental issues, public interest, and public service. | 
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*1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest
 
                    Film industry has been addressed at the “Revive Cinema in Izmir Again!” themed panel that took place on Thursday, December ...
 
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