
IZMIR CINEMAS WILL REVIVE
Film industry has been addressed at the “Revive Cinema in Izmir Again!” themed panel that took place on Thursday, December ...
Course Name |
Radio TV Broadcasting
|
Code
|
Semester
|
Theory
(hour/week) |
Application/Lab
(hour/week) |
Local Credits
|
ECTS
|
RTV 192
|
Fall/Spring
|
3
|
0
|
3
|
3
|
Prerequisites |
None
|
|||||
Course Language |
Turkish
|
|||||
Course Type |
Service Course
|
|||||
Course Level |
Short Cycle
|
|||||
Mode of Delivery | - | |||||
Teaching Methods and Techniques of the Course | DiscussionLecture / Presentation | |||||
National Occupation Classification | - | |||||
Course Coordinator | - | |||||
Course Lecturer(s) | ||||||
Assistant(s) | - |
Course Objectives | To introduce the basic concepts of Radio and Television Broadcasting |
Learning Outcomes |
The students who succeeded in this course;
|
Course Description | Terrestrial Television Broadcasting, Satellite Television Broadcasting, IPTV and Internet TV Broadcasting, Mobile TV Broadcasting |
Related Sustainable Development Goals |
|
|
Core Courses | |
Major Area Courses | ||
Supportive Courses | ||
Media and Management Skills Courses | ||
Transferable Skill Courses |
Week | Subjects | Related Preparation |
1 | Course Information | |
2 | Technical Basics of Audio Visual Technology | Tekinalp, Şermin, Camera Obscura’dan Synopticon’a Radyo ve Televizyon, İstanbul : Der Yayınları, 2003. ISBN: 975-353-303-9 Page: 23- 40 |
3 | Fundamentals of Radio and Television Technology | Tekinalp, Şermin, Camera Obscura’dan Synopticon’a Radyo ve Televizyon, İstanbul : Der Yayınları, 2003. ISBN: 975-353-303-9 Sayfa: 23- 52 Aysel Aziz, Radyo Yayıncılığı, Ankara : Nobel Yayın Dağıtım, 3. Baskı: 2007. ISBN: 975-591-425-0 Page: 21-51 |
4 | History of Radio Broadcasts | Tekinalp, Şermin, Camera Obscura’dan Synopticon’a Radyo ve Televizyon, İstanbul : Der Yayınları, 2003. ISBN: 975-353-303-9 Sayfa: 57- 104. Aysel Aziz, Radyo Yayıncılığı, Ankara : Nobel Yayın Dağıtım, 3. Baskı: 2007. ISBN: 975-591-425-0 Page: 3-9 |
5 | Development of Radio Broadcasting | Tekinalp, Şermin, Camera Obscura’dan Synopticon’a Radyo ve Televizyon, İstanbul : Der Yayınları, 2003. ISBN: 975-353-303-9 Sayfa: 57- 104. Aysel Aziz, Radyo Yayıncılığı, Ankara : Nobel Yayın Dağıtım, 3. Baskı: 2007. ISBN: 975-591-425-0 Page: 21-51 |
6 | Radio Broadcasting in Turkey | Tekinalp, Şermin, Camera Obscura’dan Synopticon’a Radyo ve Televizyon, İstanbul : Der Yayınları, 2003. ISBN: 975-353-303-9 Sayfa: 107- 129. Aysel Aziz, Radyo Yayıncılığı, Ankara : Nobel Yayın Dağıtım, 3. Baskı: 2007. ISBN: 975-591-425-0 Page: 221-243 |
7 | Midterm | |
8 | The Development of Television Broadcasting in the World and in Turkey | Tekinalp, Şermin, Camera Obscura’dan Synopticon’a Radyo ve Televizyon, İstanbul : Der Yayınları, 2003. ISBN: 975-353-303-9 Page: 129- 207 /241-297. |
9 | Public Service Publishing and Commercial Publishing | Tekinalp, Şermin, Camera Obscura’dan Synopticon’a Radyo ve Televizyon, İstanbul : Der Yayınları, 2003. ISBN: 975-353-303-9 Sayfa: 70-75. Aysel Aziz, Radyo Yayıncılığı, Ankara : Nobel Yayın Dağıtım, 3. Baskı: 2007. ISBN: 975-591-425-0 Page: 9-14. |
10 | TRT Television Broadcasting | Tekinalp, Şermin, Camera Obscura’dan Synopticon’a Radyo ve Televizyon, İstanbul : Der Yayınları, 2003. ISBN: 975-353-303-9 Page: 242-276. |
11 | Commercial Broadcasting in Turkey | Tekinalp, Şermin, Camera Obscura’dan Synopticon’a Radyo ve Televizyon, İstanbul : Der Yayınları, 2003. ISBN: 975-353-303-9 Page: 276-297. |
12 | Terrestrial Television Broadcasting | Kitle İletişim Endüstrisi ve Küreselleşme - Tekinalp, Şermin, Camera Obscura’dan Synopticon’a Radyo ve Televizyon, İstanbul : Der Yayınları, 2003. ISBN: 975-353-303-9 Page: 207-241. |
13 | Satellite Television Broadcasting | Televizyon, Kültür, Birey ve Toplum- Tekinalp, Şermin, Camera Obscura’dan Synopticon’a Radyo ve Televizyon, İstanbul : Der Yayınları, 2003. ISBN: 975-353-303-9 Page: 297- 371. |
14 | IPTV and Internet TV Broadcasting | Günümüzde Radyo ve Televizyon Yayıncılığı- Tekinalp, Şermin, Camera Obscura’dan Synopticon’a Radyo ve Televizyon, İstanbul : Der Yayınları, 2003. ISBN: 975-353-303-9 Page: 387- 391. |
15 | Review of the semester | |
16 | Final exam |
Course Notes/Textbooks | Tekinalp, Şermin, Camera Obscura’dan Synopticon’a Radyo ve Televizyon, İstanbul : Der Yayınları, 2003. ISBN: 975-353-303-9 Aziz, Aysel, Radyo Yayıncılığı, Ankara : Nobel Yayın Dağıtım, 3. Baskı, 2007. ISBN: 975-591-425-0 |
Suggested Readings/Materials | Aziz, Aysel, Türkiye’de Televizyon Yayıncılığının 30 Yılı (1968-1998), Türkiye Radyo Televizyon Kurumu, Ankara, 1999. Çankaya, Özden, Bir Kitle İletişim Kurumunun Tarihi: TRT 1927-2000, YKY, İstanbul, 2003. Kejanlıoğlu, D. Beybin, Türkiye’de Medyanın Dönüşümü, İmge Kitabevi, Ankara, 2004. Uluç, Güzin, Bir İletişim Türü Olarak Uydu Yayıncılığı, İstanbul Üniversitesi İletişim Fakültesi Dergisi. |
Semester Activities | Number | Weigthing |
Participation |
1
|
20
|
Laboratory / Application | ||
Field Work | ||
Quizzes / Studio Critiques | ||
Portfolio | ||
Homework / Assignments | ||
Presentation / Jury | ||
Project | ||
Seminar / Workshop | ||
Oral Exams | ||
Midterm |
1
|
40
|
Final Exam |
1
|
40
|
Total |
Weighting of Semester Activities on the Final Grade |
3
|
60
|
Weighting of End-of-Semester Activities on the Final Grade |
1
|
40
|
Total |
Semester Activities | Number | Duration (Hours) | Workload |
---|---|---|---|
Theoretical Course Hours (Including exam week: 16 x total hours) |
16
|
3
|
48
|
Laboratory / Application Hours (Including exam week: '.16.' x total hours) |
16
|
0
|
|
Study Hours Out of Class |
16
|
3
|
48
|
Field Work |
0
|
||
Quizzes / Studio Critiques |
0
|
||
Portfolio |
0
|
||
Homework / Assignments |
0
|
||
Presentation / Jury |
8
|
0
|
|
Project |
0
|
||
Seminar / Workshop |
0
|
||
Oral Exam |
0
|
||
Midterms |
1
|
10
|
10
|
Final Exam |
1
|
15
|
15
|
Total |
121
|
#
|
Program Competencies/Outcomes |
* Contribution Level
|
|||||
1
|
2
|
3
|
4
|
5
|
|||
1 |
To be able to define the historical development process, fundamental principles, and theories of Radio and Television Programming, and explain the basic principles of audio-visual storytelling. |
-
|
-
|
-
|
-
|
-
|
|
2 |
To be able to utilize technical equipment and software requiring expertise in the field of Radio and Television Programming according to contemporary techniques. |
-
|
-
|
-
|
-
|
-
|
|
3 |
To be able to describe the pre-production research of an audio-visual work, scriptwriting, production planning, camera usage, sound recording, lighting setup, and post-production editing design at a fundamental level and apply at least one of them at an advanced level. |
-
|
-
|
-
|
-
|
-
|
|
4 |
To be able to apply standard video shooting and sound recording indoors and outdoors within the scope of a production in teamwork. |
-
|
-
|
-
|
-
|
-
|
|
5 |
To be able to explain the national and universal values, professional and ethical principles, and legal regulations required in radio-television broadcasting. |
-
|
-
|
-
|
-
|
-
|
|
6 |
To be able to evaluate audio-visual outputs based on technical and methodological criticism. |
-
|
-
|
-
|
-
|
-
|
|
7 |
To be able to generate creative and critical approaches and projects suitable for the broadcasting platform and selected media, taking responsibility in individual or teamwork. |
-
|
-
|
-
|
-
|
-
|
|
8 |
To be able to consider occupational safety principles while working in media, production, and press-broadcasting fields. |
-
|
-
|
-
|
-
|
-
|
|
9 |
To be able to apply the knowledge gained in classes within the scope of an internship in relevant job fields. |
-
|
-
|
-
|
-
|
-
|
|
10 |
To be able to follow the information in the field and communicate with colleagues by using English at the general level of European Language Portfolio A2. |
-
|
-
|
-
|
-
|
-
|
|
11 |
To be able to possess interdisciplinary knowledge in artistic, cultural, and social issues related to communication fields and programs. |
-
|
-
|
-
|
-
|
-
|
|
12 |
To be able to direct their learning towards an advanced educational level by keeping track of technological changes and innovations, considering a lifelong learning vision. |
-
|
-
|
-
|
-
|
-
|
|
13 |
To be able to analyze the universal and social dimensions and legal consequences of their professional work in the field concerning human rights, cultural diversity, environmental issues, public interest, and public service. |
-
|
-
|
-
|
-
|
-
|
*1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest
Film industry has been addressed at the “Revive Cinema in Izmir Again!” themed panel that took place on Thursday, December ...
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