VOCATIONAL SCHOOL

Department of Radio and Tv Programming (Turkish)

RTV 103 | Course Introduction and Application Information

Course Name
Video and Sound Techniques
Code
Semester
Theory
(hour/week)
Application/Lab
(hour/week)
Local Credits
ECTS
RTV 103
Fall
3
0
3
5

Prerequisites
None
Course Language
Turkish
Course Type
Required
Course Level
Short Cycle
Mode of Delivery face to face
Teaching Methods and Techniques of the Course Lecture / Presentation
Course Coordinator -
Course Lecturer(s)
Assistant(s) -
Course Objectives The implementation of audio and video technology
Learning Outcomes The students who succeeded in this course;
  • Will be able to discuss the historical development of sound and image
  • Will be able to complete the lighting and composition elements for video
  • Will be able to learn the components of sound
  • Will be able to demonstrate their skills through audio and video applications
  • Will be able to demonstrate video pre production techniques and sound preparations
Course Description The implementation of audio and video technology

 



Course Category

Core Courses
X
Major Area Courses
Supportive Courses
Media and Management Skills Courses
Transferable Skill Courses

 

WEEKLY SUBJECTS AND RELATED PREPARATION STUDIES

Week Subjects Related Preparation
1 Course Introduction Course Materials
2 History of Camera and Camera Types Canikligil, İ. (2007). Dijital video ile sinema. İstanbul : Pusula. ISBN: 9789756477991 Page: 39-59
3 Camera Usage and Angles Canikligil, İ. (2007). Dijital video ile sinema. İstanbul : Pusula. ISBN: 9789756477991 Page: 59-74
4 Composition Canikligil, İ. (2007). Dijital video ile sinema. İstanbul : Pusula. ISBN: 9789756477991 Page: 79-85
5 Lighthing Zettl, H. (2005). Sight, sound, motion: applied media aesthetics. Belmont, CA : Thomson Wadsworth. ISBN: 0534079520 Page: 39-46
6 Lighthing Zettl, H. (2005). Sight, sound, motion: applied media aesthetics. Belmont, CA : Thomson Wadsworth. ISBN: 0534079520 Page: 47-51
7 Sound Techniques Zettl, H. (2005). Sight, sound, motion: applied media aesthetics. Belmont, CA : Thomson Wadsworth. ISBN: 0534079520 Page: 333-351
8 Midterm Exam
9 Storyboard and Shooting Scenario Can, A. (2018). Kısa Film. Konya: Atlas Akademi. ISBN: 9786058278585 Page: 3-15
10 Preperations of projects Can, A. (2018). Kısa Film. Konya: Atlas Akademi. ISBN: 9786058278585
11 Preperations for shooting Can, A. (2018). Kısa Film. Konya: Atlas Akademi. ISBN: 9786058278585
12 Image Draft Can, A. (2018). Kısa Film. Konya: Atlas Akademi. ISBN: 9786058278585
13 Image Draft Can, A. (2018). Kısa Film. Konya: Atlas Akademi. ISBN: 9786058278585
14 Sound Draft Can, A. (2018). Kısa Film. Konya: Atlas Akademi. ISBN: 9786058278585
15 General Evaluation
16 Final (project submission)

 

Course Notes/Textbooks

Zettl, H. (2005). Sight, sound, motion: applied media aesthetics. Belmont, CA : Thomson Wadsworth. ISBN: 0534079520

Canikligil, İ. (2007). Dijital video ile sinema. İstanbul : Pusula. ISBN: 9789756477991

Can, A. (2018). Kısa Film. Konya: Atlas Akademi. ISBN: 9786058278585

Suggested Readings/Materials

Strasser, A. (1972). The Work of the Science Film Maker. Focal Press, London. ISBN: 0240507428

 

EVALUATION SYSTEM

Semester Activities Number Weigthing
Participation
1
10
Laboratory / Application
Field Work
Quizzes / Studio Critiques
Portfolio
Homework / Assignments
Presentation / Jury
1
20
Project
Seminar / Workshop
Oral Exams
Midterm
1
30
Final Exam
1
40
Total

Weighting of Semester Activities on the Final Grade
3
50
Weighting of End-of-Semester Activities on the Final Grade
1
50
Total

ECTS / WORKLOAD TABLE

Semester Activities Number Duration (Hours) Workload
Theoretical Course Hours
(Including exam week: 16 x total hours)
16
3
48
Laboratory / Application Hours
(Including exam week: '.16.' x total hours)
16
0
Study Hours Out of Class
16
3
48
Field Work
0
Quizzes / Studio Critiques
0
Portfolio
0
Homework / Assignments
0
Presentation / Jury
1
8
8
Project
0
Seminar / Workshop
0
Oral Exam
0
Midterms
1
16
16
Final Exam
1
30
30
    Total
150

 

COURSE LEARNING OUTCOMES AND PROGRAM QUALIFICATIONS RELATIONSHIP

#
Program Competencies/Outcomes
* Contribution Level
1
2
3
4
5
1

To be able to define the historical development process, fundamental principles, and theories of Radio and Television Programming, and explain the basic principles of audio-visual storytelling.

X
2

To be able to utilize technical equipment and software requiring expertise in the field of Radio and Television Programming according to contemporary techniques.

X
3

To be able to describe the pre-production research of an audio-visual work, scriptwriting, production planning, camera usage, sound recording, lighting setup, and post-production editing design at a fundamental level and apply at least one of them at an advanced level.

X
4

To be able to apply standard video shooting and sound recording indoors and outdoors within the scope of a production in teamwork.

X
5

To be able to explain the national and universal values, professional and ethical principles, and legal regulations required in radio-television broadcasting.

6

To be able to evaluate audio-visual outputs based on technical and methodological criticism.

7

To be able to generate creative and critical approaches and projects suitable for the broadcasting platform and selected media, taking responsibility in individual or teamwork.

X
8

To be able to consider occupational safety principles while working in media, production, and press-broadcasting fields.

X
9

To be able to apply the knowledge gained in classes within the scope of an internship in relevant job fields.

10

To be able to follow the information in the field and communicate with colleagues by using English at the general level of European Language Portfolio A2.

11

To be able to possess interdisciplinary knowledge in artistic, cultural, and social issues related to communication fields and programs.

12

To be able to direct their learning towards an advanced educational level by keeping track of technological changes and innovations, considering a lifelong learning vision.

13

To be able to analyze the universal and social dimensions and legal consequences of their professional work in the field concerning human rights, cultural diversity, environmental issues, public interest, and public service.

*1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest

 


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