VOCATIONAL SCHOOL

Department of Radio and Tv Programming (Turkish)

RTV 108 | Course Introduction and Application Information

Course Name
Production Design
Code
Semester
Theory
(hour/week)
Application/Lab
(hour/week)
Local Credits
ECTS
RTV 108
Spring
3
0
3
4

Prerequisites
None
Course Language
Turkish
Course Type
Required
Course Level
Short Cycle
Mode of Delivery -
Teaching Methods and Techniques of the Course Critical feedback
Lecture / Presentation
Course Coordinator -
Course Lecturer(s)
Assistant(s) -
Course Objectives In this course, students will learn TV Program design and pre production techniques.
Learning Outcomes The students who succeeded in this course;
  • Will be able to learn TV program types
  • Will be able to design TV program
  • Will be able to to shoot tv program in a current and studio environment
  • Will be able to learn post production
  • Will be able to define Pre Production and Post Production terms.
Course Description TV program design and implementation phases

 



Course Category

Core Courses
Major Area Courses
X
Supportive Courses
Media and Management Skills Courses
Transferable Skill Courses

 

WEEKLY SUBJECTS AND RELATED PREPARATION STUDIES

Week Subjects Related Preparation
1 Course Introduction Course materials
2 Definition and Functions of Production Worthinghton, C. (2011). Yapım (O. Kılıçdağı, Çev.) Literatür Yayıncılık. Page: 10-35
3 Production Stages Worthinghton, C. (2011). Yapım (O. Kılıçdağı, Çev.) Literatür Yayıncılık. Page: 112-123
4 Pre Production and Post Production Worthinghton, C. (2011). Yapım (O. Kılıçdağı, Çev.) Literatür Yayıncılık. Page: 136-141
5 Production Process Worthinghton, C. (2011). Yapım (O. Kılıçdağı, Çev.) Literatür Yayıncılık. Page: 70-91
6 Copyright, Public Property, Fair Use, Privacy, Defamation, Working with Children, Consent and Access Concepts Worthinghton, C. (2011). Yapım (O. Kılıçdağı, Çev.) Literatür Yayıncılık. Page: 40-65
7 Mid Term Exam
8 Casting and Budgeting (Pre Budget and Actual Budget) Hart, H. (2007). Televizyon Program Yapımcılığı (V.T. Erdamar, Çev.) Es Yayınları. Page:46-53
9 Presentations -
10 Presentations -
11 Shooting Plan, Shooting Calendar and Callsheet Worthinghton, C. (2011). Yapım (O. Kılıçdağı, Çev.) Literatür Yayıncılık. Page: 112-121
12 Agreements Hart, H. (2007). Televizyon Program Yapımcılığı (V.T. Erdamar, Çev.) Es Yayınları. Page: 60-66
13 Production Timeline Hart, H. (2007). Televizyon Program Yapımcılığı (V.T. Erdamar, Çev.) Es Yayınları. Page: 67-75
14 Marketing Plan and Calendar Hart, H. (2007). Televizyon Program Yapımcılığı (V.T. Erdamar, Çev.) Es Yayınları. Page:60
15 Review of the semester
16 Final Short Film and Production File Submission

 

Course Notes/Textbooks

Worthinghton, C. (2011). Yapım (O. Kılıçdağı, Çev.) Literatür Yayıncılık. ISBN: 9789750405914

Hart, H. (2007). Televizyon Program Yapımcılığı (V.T. Erdamar, Çev.) Es Yayınları. ISBN: 9789758716814

Suggested Readings/Materials

Gerçeker, F. (2016). Film Yapım Sırları, Lifecycle. ISBN: 9786059296052

 

EVALUATION SYSTEM

Semester Activities Number Weigthing
Participation
1
10
Laboratory / Application
Field Work
Quizzes / Studio Critiques
Portfolio
Homework / Assignments
Presentation / Jury
1
20
Project
Seminar / Workshop
Oral Exams
Midterm
1
30
Final Exam
1
40
Total

Weighting of Semester Activities on the Final Grade
3
60
Weighting of End-of-Semester Activities on the Final Grade
1
40
Total

ECTS / WORKLOAD TABLE

Semester Activities Number Duration (Hours) Workload
Theoretical Course Hours
(Including exam week: 16 x total hours)
16
3
48
Laboratory / Application Hours
(Including exam week: '.16.' x total hours)
16
0
Study Hours Out of Class
16
2
32
Field Work
0
Quizzes / Studio Critiques
0
Portfolio
0
Homework / Assignments
0
Presentation / Jury
1
8
8
Project
0
Seminar / Workshop
0
Oral Exam
0
Midterms
1
12
12
Final Exam
1
20
20
    Total
120

 

COURSE LEARNING OUTCOMES AND PROGRAM QUALIFICATIONS RELATIONSHIP

#
Program Competencies/Outcomes
* Contribution Level
1
2
3
4
5
1

To be able to define the historical development process, fundamental principles, and theories of Radio and Television Programming, and explain the basic principles of audio-visual storytelling.

X
2

To be able to utilize technical equipment and software requiring expertise in the field of Radio and Television Programming according to contemporary techniques.

X
3

To be able to describe the pre-production research of an audio-visual work, scriptwriting, production planning, camera usage, sound recording, lighting setup, and post-production editing design at a fundamental level and apply at least one of them at an advanced level.

X
4

To be able to apply standard video shooting and sound recording indoors and outdoors within the scope of a production in teamwork.

5

To be able to explain the national and universal values, professional and ethical principles, and legal regulations required in radio-television broadcasting.

6

To be able to evaluate audio-visual outputs based on technical and methodological criticism.

7

To be able to generate creative and critical approaches and projects suitable for the broadcasting platform and selected media, taking responsibility in individual or teamwork.

8

To be able to consider occupational safety principles while working in media, production, and press-broadcasting fields.

X
9

To be able to apply the knowledge gained in classes within the scope of an internship in relevant job fields.

X
10

To be able to follow the information in the field and communicate with colleagues by using English at the general level of European Language Portfolio A2.

11

To be able to possess interdisciplinary knowledge in artistic, cultural, and social issues related to communication fields and programs.

12

To be able to direct their learning towards an advanced educational level by keeping track of technological changes and innovations, considering a lifelong learning vision.

13

To be able to analyze the universal and social dimensions and legal consequences of their professional work in the field concerning human rights, cultural diversity, environmental issues, public interest, and public service.

*1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest

 


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